QPC 2024 ADJUDICATORS
Introducing our esteemed adjudicators, bringing their expertise and wealth of knowledge to our 31st Queensland Piano Competition
Antoni Bonetti AM
Sections: Concerto
M.Mus (UQ), D.S.C.M. (Sydney Con), ARCM (Lond), AMusA Antoni Bonetti AM is the founding conductor of Brisbane Symphony Orchestra and Noosa Orchestra. He also lectured at both the University of Queensland-School of Music (2004-2014) where he completed a Master of Music degree, and the Queensland Conservatorium of Music (1982-1992). He is Senior String teacher at both St Aidans Anglican Girls School, Brisbane and Good Shepherd Lutheran College, Noosaville. Antoni has composed and arranged many works for String ensemble and Orchestra.
Antoni has adjudicated Eisteddfodau in New Zealand (PACANZ), Rockhampton, Brisbane, Sunshine Coast, Longreach, Charleville, Armidale, Toowoomba, Gold Coast, Cairns, Gladstone, Dalby, Bundaberg, Lismore and South-East Queensland (Redlands and Aria & Concerto Competition). He has also performed, conducted, and given masterclasses across Australia, USA, Europe and New Zealand.
Antoni completed his secondary schooling at the Sydney Conservatorium of Music High School, studied violin with Robert Pikler and on completion of his degree spent 7 years playing and teaching in Europe.
In 1981, Antoni accepted the position of concertmaster of the Queensland Theatre Orchestra. He and his clarinettist wife, Ruth, form the nucleus of Quartetto Bonetti.
During twenty-four years at St Peters Lutheran College as Head of Orchestral Studies, Antoni built the programme to encompass many diverse ensembles. The Youth Orchestra of St Peters made six national tours, two New Zealand tours and a European tour in 1995.
Antoni has commissioned and written a number of compositions and arrangements for school and community orchestras, and has released a number of CDs with his various orchestras. Antoni speaks German, Swedish, French and some Italian, and his other interests include cycling, golfing, selling Paesold Bows and wine tasting, not necessarily in that order. He has held Memberships of various organizations including The Conductor’s Guild(USA), The Orchestras Of Australia Network and the Australian String Teacher’s Association (AUSTA).
He teaches violin and viola, coaches chamber groups and directs music camps.
Emeritus Professor Peter Roennfeldt
Sections: 15-16 years, 17-18 years, Diploma
Emeritus Professor Peter Roennfeldt is well known as a keyboard musician and director of vocal ensembles.
Queensland born, he graduated from both the University of Queensland and the University of Adelaide, before spending four years in the United States, where he studied with Bela Siki and graduated with a Doctor of Musical Arts majoring in Piano Performance from the University of Cincinnati. He performs frequently in chamber music ensembles with players from the Queensland Symphony Orchestra and the Queensland Conservatorium, with a particular interest in historical performance practices using period instruments. Peter’s repertoire interests range from twentieth century music for two pianos to lesser known works by nineteenth century composers. For the past two decades he has given regular recitals of solo and chamber music featuring the fortepiano and also a Viennese piano built in the 1840s.
Peter is also well known for his leadership of choirs, which in the past have included the Brisbane Chorale, the Cantilena Singers which specialised in baroque music, and various Conservatorium ensembles. For the past decade his major focus has been song cycles and partsongs by nineteenth and early twentieth century composers, presented in salon recitals in heritage venues by the Soirées Musicales Quintette which he directs from the piano. This ensemble has also explored once-familiar music from colonial times up to World War Two, and this year the group is currently involved with a major recording project with the State library of Queensland.
In addition to his performance activities, Peter is heavily involved with historical research with a particular focus on the cultural heritage of Queensland. His sixth book, which will be published this year, is study of Mayne Hall as a public venue, which follows on from a previous book on Brisbane’s Albert Hall. Other books include the anniversary histories of the Queensland Conservatorium and the Queensland Music Teachers’ Association, and a biography of Madame Mallalieu, one of our state’s most prominent musical pioneers. He is in demand as a guest speaker on his research for professional and community organisations, and also presents radio broadcast series for 4MBS Classic FM focussing on baroque music or special topics based on his local history research.
For more than 30 years Peter was on the academic staff of Queensland Conservatorium Griffith University, including a 7-year term up to 2009 as its Director. He continues this connection in an honorary capacity, as Emeritus Professor. Peter has also held national leadership positions with the Australian National Choral Association, the National Council of Tertiary Music Schools, and the Australasian Piano Pedagogy Conference. As an adjudicator, Peter has officiated throughout Queensland and northern New South Wales, both for eisteddfods, the Queensland Youth Music Awards, the Queensland Piano Competition and Education Queensland’s Fanfare program.
Professor Bernard LanskEy
Sections: Diploma, Concerto, Two Pianos
Active internationally for 30 years as a senior administrator, educator, collaborative pianist, scholar, recording producer and festival director, Professor Bernard Lanskey took up the position of Director, Queensland Conservatorium Griffith University in August 2021. He is also a member of the International Advisory Board for the Tianjin-Juilliard School in China, Visiting Professor and Consultant to the National University of Singapore, and an Artist in Residence at La Loingtaine near Fontainebleau in France.
Born in Cairns, Australia, he was awarded BMus (Hons 1st) at the University of Queensland in 1981 before moving to more specialised pianistic studies, first in Paris (with support from the Alliance Française Australia) and then at the Royal College of Music in London (supported by the Florence Davey Scholarship) where he completed a Master’s degree with Peter Wallfisch in 1988. He has performed throughout Australia, Southeast Asia, China, Great Britain and in many European countries, working principally with string players and singers in chamber music, mixed recital and lecture-recital combinations.
From 2007 until 2021, he was Director and Dean of the Yong Siew Toh Conservatory of Music, National University of Singapore. While in Singapore, he was the President of the Southeast Asian Directors of Music Association (SEADOM: 2012 -2021) which he had helped establish, as well as the co-opted Global Representative on the European Association of Conservatoires’ Executive Council (AEC: 2017 - 2023).
Before moving to Singapore in 2006, Bernard was a member of London’s Guildhall School of Music & Drama’s Directorate where he was responsible for overseeing the school’s postgraduate and ensemble programmes, receiving a Fellowship in 2001 for his contributions. In 2019, he received the Public Administration Medal (Silver) as part of Singapore’s 2019 National Day Awards while, in 2023, his contribution to Southeast Asian Music was acknowledged by SEADOM through being awarded the organisation’s inaugural Honorary Award in Music Leadership.
Jo Schravemade
Sections: Novice and Intermediate
Jo is a dedicated and accomplished music educator whose career has come full circle, as she now sees her former students as examiners and adjudicators of her current students. Her passion for music took root in Rockhampton, where as a high school student, she earned her first income teaching at a local music shop, busking, playing in bands, and accompanying, while completing her A.Mus.A in piano.
Jo pursued both bachelor and postgraduate studies at the Queensland Conservatorium of Music, complemented by degrees in pedagogy and other areas of interest from UQ and QUT. Along the way, she was privileged to study under renowned piano teachers Max Olding and Stephen Emmerson. After graduating in the mid-90s, Jo combined her love of performing and teaching with travel, living, teaching, and performing in a variety of private, school, and community settings both in Australia and abroad.
Upon returning to Australia, Jo spent some time working in a secondary school music extension program before deciding to focus solely on piano teaching. She currently teaches in the Young Con program at Griffith University and runs a thriving private studio, where her students have achieved success from beginner through diploma levels. The diversity of her students continues to fuel her passion for teaching, driving her to continually explore new pedagogical tools and practices, though it leaves her little time to indulge in her other interests—nature, travel, and the arts.
Dr. Rachel Hocking
Sections: 10 years, Duets, Two Pianos
Dr. Rachel Hocking is a versatile musician with extensive expertise in performance, research, and education. She currently teaches at the Queensland Conservatorium of Music for the Young Conservatorium program, lectures in the Bachelor of Music tertiary program in the subjects of Piano Pedagogy as well as Keyboard Skills for Voice/Composition and serves as an examiner in piano and theory for the AMEB.
In addition, Dr. Hocking teaches piano and accompanies multiple choirs and instrumentalists at Brisbane Boys' College, including performances of her own choral compositions. Her musical repertoire includes piano, harpsichord, and pipe organ, and she has collaborated with a wide range of soloists, choirs, dancers, and instrumental ensembles.
As a composer, arranger, and recording artist, Dr. Hocking brings a creative dimension to her work. Her research interests span education, musicology, Australian music, church music, and the music industry, and she has contributed to the field through published articles and presentations at both national and international conferences. Recently, her report ‘Fading Notes’, written in collaboration with Dr Anita Collins for the Alberts|Tony Foundation has been used in music education advocacy throughout Australia.
Dr. Hocking’s prior work and projects include:- adjudicating in NSW, Queensland and the ACT, manager of Resound (replacing instruments lost in natural disasters), lecturing in primary music education at ACU, lecturing in music and music education at UNSW, working in research and advocacy with the Music Council of Australia, piano teaching and accompanying at The King’s School, Sydney. Dr. Hocking has served on a number of councils including MTA NSW and APPCA (Qld conference 2019).
Her qualifications include PhD (musicology), BMus with First Class Honours (piano performance), MTeach (secondary music, for which she received the Dean’s medal), GCULT, AMusA, LTCL, ATCL.
Dr. Hocking also now serves as the President of the Accompanists Guild of Queensland.
DANIEL JOHNSON
Sections: 11 years, 14 years, 15-16 years, Popular Style or Jazz
Pianist, Daniel Johnson, has been described by Yamaha Australia as "masterful and insightful", and his Chopin described as "stunning" and "a true pianist" by the late, internationally renowned concert pianist, Dr. Marilyn Meier. Born and raised in Mount Isa, Daniel began piano lessons locally with Pam Breen. After winning the Yamaha Keyboard Award for Queensland and the Yamaha Most Outstanding Performer of the year in 2000, he commenced studies at the Queensland Conservatorium of Music with Oleg Stepanov and Dr. Diane Selmon. He then continued studies at the School of Creative Arts, University of Southern Queensland with concert pianists Wendy Lorenz, Renate Turini, Dr. Marilyn Meier, and at the conclusion of his degree with Helen Smith.
Daniel gives masterclasses, adjudicates, and examines for various piano competitions and eisteddfods across Australia. He has broadcast live recitals for the MBS network as part of the City Hall Recital Series in Brisbane and the New Sounds Recital Series at the Queensland Gallery of Modern Art. He has presented research papers for international conferences such as the Inaugural Messiaen International Conference and has been invited each year since 2009 to present research and perform at the World Piano Conference in Novi Sad, Serbia.
An advocate for Australian composers, Daniel has focused most of his academic research on the vocal, symphonic, and instrumental works of composer Miriam Hyde. He has piano works dedicated to him by Australian composer, Phillip Wilcher (Pirouettes, 5 Nocturnes for Left Hand Alone), and has given world premieres of piano works composed for him by American composer, Forrest Starling (Nocturne for Piano). He is currently recording piano works by Anthony Moles and Dr. Nicole Murphy, and later in the year performs the complete music for clarinet and piano by Miriam Hyde with clarinettist Catherine Motteram.
Dr. Suzanna Hlinka
Sections: 12 years, 13 years
Described by the Courier Mail as a ‘prodigious talent’, Australian-Czech Dr. Suzanna Hlinka began playing the piano at the age of three, performed her first solo recital at eight years old, and made her first concerto appearance with an orchestra at ten years old. With her multi-faceted playing style that 4MBS Classic FM called ‘pure magic’ and ‘poetry in motion’, Suzanna has been greeted by enthusiastic audiences throughout Australia, Asia, and Europe, performing in the world’s most prestigious concert venues and winning top prizes in various international competitions. Suzanna has released two solo CDs and two CDs for cello and piano together with her husband, cellist Christoph Blickling.
Suzanna graduated with a Bachelor of Music from the Queensland Conservatorium Griffith University and a Master of Arts from Prague’s Academy of Performing Arts. Her research was recognised by the Czech Government with the award of the coveted Czech Head. Suzanna finalised her studies with a Doctor of Musical Arts degree from the University of Western Australia with the assistance of the Hackett Postgraduate Scholarship.
Suzanna has previously worked as an academic lecturer at the Australian Institute of Music in Sydney working in the classical, academic, and graduate departments. She has been in demand as an adjudicator and teaching artist, regularly giving masterclasses in association with numerous organisations. Suzanna currently devotes herself to developing young talent in Brisbane at the Young Conservatorium Griffith University. Suzanna’s previous students have gone on to be fabulous performers, teachers, and adjudicators nationwide, and have also furthered their achievements overseas.
Together with her husband, Suzanna is also the co-founder of Pitch Wizard, an exciting new interactive education platform designed for teaching classical music theory and aural skills to beginner instrumentalists.
Miguel Wu
Sections: 7 years, 8 years and 9 years
Miguel Wu holds a Master of Music and Graduate Diploma in Music in Aural Pedagogy from the University of Queensland, and a Certificate of Music from The Juilliard School. He has studied with Vicky Yang, Patrick Kreeger, Evan Fein, Ruka Shironishi, David McCall, and Dave Brown. He also undertook further pedagogy and performance training at the Queensland Conservatorium and Indiana University, USA (Summer Camp). He continues further study and training at The Juilliard School (New York).
In 2011 Miguel recorded and released a self produced album titled From The Sky, which has been broadcast on Australia’s ABC Classic FM radio station and Qantas Airline Q Streaming.
Miguel is a past committee member of the Queensland Piano Competition and Event Manager of Piano, Instrumental and Chamber Music for the Brisbane Eisteddfod.
Miguel adjudicates piano, instrumental, voice, and choir auditions and competitions in Australia and United States. He is currently an Australian Music Examination Board piano examiner.
Mark Hooper
Section:17-18 years
Mark Hooper, a graduate of the Queensland Conservatorium and the Royal College of Music, London, has extensive experience in piano education. He also has qualifications in Dalcroze Eurhythmics and Psychotherapy and taught piano at Oxford University for six years, where he also trained local piano teachers.
After 34 years abroad, Mark returned to Brisbane to teach Pedagogy at the Queensland Conservatorium. He continues to perform concerts locally and annually in the UK, and has recorded five solo CDs, including all Schubert’s Impromptus.
Mark’s passion for teaching began in Brisbane as a Junior Music Teacher for the Yamaha Music Foundation.
Mark currently serves as the President of the Queensland Music Teachers Association.